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MUSC 107 (3)
Rudiments of Music I
Introduction to the musical notation of pitch and rhythm and to scales and intervals through study in beginning piano technique and literature, ensemble playing, and simple improvisation. No prior knowledge of music is necessary. V6a MUSC 108 (3)
Rudiments of Music II
A continuation of MUSC 107, with study in both aural and written theoretical practices and performance techniques on the piano and guitar. V6a MUSC 119 (2)
Introduction to MIDI
The basics of MIDI technology, sequencing, notation, publishing and arranging using MIDI instruments and computer software. MUSC 126 (3)
The Appreciation of Music
A course designed to increase and deepen the student's appreciation of music as an art. Emphasis is placed upon development of intelligent listening skills founded upon a knowledge of the basic elements of music, musical styles and their historical contexts. V6a MUSC 127 (3)
World Music
An introduction to selected musical traditions of the world, including the impact of culture and ethnicity on the music of Asia, Africa, Spain (Flamenco), Latin America and the Caribbean, and the United States (Blues and 1950s Rock and Roll). Constant comparisons will be made with Western music's forms, melody, harmony and rhythm. No prior knowledge of music is necessary or expected. V4 MUSC 138 (1)
Opera Workshop
This is a performance based course which allows students to explore operatic literture in an educational classroom setting. Students will study and perform literature which is vocally and dramatically challenging but which is well within their capabilities. Basic elements of stage deportment, character analysis, and public performance will also be incorporated. V6b MUSC 157 (3)
Elementary Theory I
An introductory study of the elements of Common Practice music. Attention will be directed to the development of analytical and aural skills, through examination of musical notation, intervals, scales, cadences, motives, phrases, multi-voice combinations and chord structure. See department chair for placement test information. V6a MUSC 158 (3)
Elementary Theory II
A continuation of MUSC 157. See department chair for placement test information. V6a MUSC 177 (2)
Composition
Students will have independent instruction in musical composition. Weekly assignments of prescribed composition projects will introduce the students to a variety of musical procedures. Additionally each student will produce a single larger work developed progressively throughout the semester to be presented in performance at the end of the term. May be repeated for credit. MUSC 179 (2)
Conducting
This course will focus on developing each student's ability to organize and lead rehearsals of vocal and instrumental ensembles. During the term progressive exercises on beat patterns, transpositions and score reading, combined with score analyses, will lead to an investigation of rehearsal procedures and teaching strategies. By arrangement with the instructor, students will have the opportunity to lead ensembles in rehearsals to acquire practical experience in applying the techniques examined in the classroom. May be repeated for credit. MUSC 181 (2)
Applied Piano
A weekly, one-hour private lesson is provided at an additional charge for all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 183 (2)
Applied Organ
A weekly, one-hour private lesson is provided at an additional charge for all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 185 (2)
Applied Voice
A weekly, one-hour private lesson is provided at an additional charge for all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 187 (2)
Applied Harpsichord
A weekly, one-hour private lesson is provided at an additional charge for all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 189 (2)
Applied Guitar
A weekly, one-hour private lesson is provided at an additional charge to all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 191 (2)
Applied Strings
A weekly, one-hour private lesson is provided at an additional charge to all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 193 (2)
Applied Woodwinds
A weekly, one-hour private lesson is provided at an additional charge to all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, ususally near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 195 (2)
Applied Fortepiano
A weekly, one-hour private lesson is provided at an additional charge to all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. MUSC 197 (2)
Applied Brass
A weekly, one-hour private lesson is provided at an additional charge to all Sweet Briar degree candidates. All students enrolled in applied music are required to perform in a departmental recital or before a faculty jury, usually near the end of the academic term. Exceptions may be made for those students who have performed a solo recital or program of equivalent difficulty. May be repeated for credit. V6b MUSC 199 (1)
Musical Pedagogy
An introduction to applied music pedagogy in the areas of piano, strings, and voice. The student will select one area of concentration for two-thirds of the course. The other third will be divided equally to demonstrate the kinds of specialized pedagogy in the other two applied areas. The string area will concentrate in the Suzuki method of teaching and may lead to certification as a Suzuki teacher. This course may be repeated for credit. Offered alternate years. MUSC 205 (1)
Accompanying
Coaching and preparation of repertory for keyboard with voice or instrumentation; sight-reading and possible performance in recital of literature studied. V6b MUSC 212 (4)
Music in the Baroque and Rococo
A study of vocal and instrumental Western music from 1600 to 1770 with attention both to general stylistic developments in their historical contexts and to the structure and history of significant individual compositions. Topics covered will include opera, oratorio, cantata, sonata, concerto grosso and keyboard music. Basic forms and score analysis will be introduced. These include aria forms, concerto grosso, dance suites, passacaglia, fugue and free keyboard forms. V1, V6 MUSC 213 (4)
Classical and Romantic Music
A study of Western vocal and instrumental music from 1770 to 1890, focusing both upon general stylistic developments in their historical contexts and upon the closer study of great works of the Classic and Romantic masters. Basic forms and score analysis will be introduced. These forms include Sonata-allegro form, theme and variations, rondo, minuet and trio, and song forms. IIIW, V1,V6 MUSC 220 (3)
Piano Literature
Study and analysis of keyboard music from the pre-piano period to the present. Special attention will be given to the development of keyboard forms, techniques and idiomatic styles. MUSC 245 (1)
Concert Choir
Rehearsal and performance of the choral literature from the Renaissance to the 20th century. Performances with neighboring college choral groups. V6b MUSC 251 (1)
Chamber Orchestra
Reading, preparation and performance of instrumental chamber music and ensemble music of various styles. The Instrumental Ensemble performs alone and with the Concert Choir. Three hours of rehearsal per week. V6b MUSC 257 (3)
Advanced Theory I
Continuation of the study of theoretical and compositional devices and forms of the Common Practice period, and study of late 19th and 20th century harmonic practices. See department chair for placement test information. IIIO, V6 MUSC 258 (3)
Advanced Theory II
Continuation of the study of theoretical and compositional devices and forms of the Common Practice period, and study of late 19th and 20th century harmonic practices. See department chair for placement test information. IIIO, V6 MUSC 261 (1)
Directed Study
Study of selected topics in music, leading to an individual project of significant scope, involving intensive analytical or historical study. MUSC 303 (2)
Recital
Presentation of solo or chamber music repertoire or both in recital. The student will present a preview of the recital to music faculty one month prior to the concert. MUSC 331 (3)
Medieval and Renaissance Music
A study of Western music from the period of Gregorian chant through the Renaissance period. Emphasis is placed upon study of stylistic developments in their historical contexts. V1, V6 MUSC 338 (4)
Music from Impressionism to the Present
A study of Western music from 1890 to the present, with emphasis placed upon study of the great composers of the 20th century. Topics covered will include Impressionism, dodecaphonic music, Neoclassicism, serialism and the emergence of electronic and synthesized music. Basic musical forms and music score analysis will be introduced. These include serial techniques, aleatoric ideas, minimalism, advanced harmonic analysis, new systems of notation, and the innovations in rhythm. V1, V6 MUSC 340 (3)
Musical Genres
A course focusing upon the history and development of one of the following genres: the symphony, chamber music, the concerto, opera, art song, choral music, jazz, or film music. MUSC 358 (3)
Form and Analysis
Analytical study of music from several points of view, concentrating upon larger form, harmonic organization, rhythmic aspects, matters of texture, sonority, tension and relaxation and coherence and unity. IIIO, III MUSC 361 (1)
Special Study
Study of selected topics in music, leading to an individual project of significant scope, involving intensive analytical or historical study. MUSC 377 (1)
Internship
MUSC 452 (3)
Senior Seminar
Intensive study with emphasis upon at least two of the following: analysis, historical research or performance. This study will culminate in a substantial piece of critical writing by the student, to be carried out under the supervision of the department faculty. MUSC 461 (1)
Independent Study
MUSC 472 (3)
Senior Honors Thesis
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